Sunday, April 28, 2013

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iOS Apps for Masterminds, 2nd Edition: How to take advantage of Swift 3 to create insanely great apps for iPhones and iPads, by J D Gaucha

Learn how to create apps for iPhones and iPads with Swift 3, Xcode 8,�and the new APIs introduced with�iOS 10. With more than 800 pages, this book will teach you everything you need to know to create an application, from basic concepts of computer programming to how to control the most advanced technologies available in Apple devices.

iOS Apps for Masterminds leads the reader step by step to master the complex subjects required to create applications for iPhones and iPads. After reading this book, you will know how to program in Swift, how to design user interfaces, and how to work with the most powerful frameworks available for the construction of modern applications.

This book is a complete course that will teach you how to build insanely great applications from scratch. Every chapter explores both basic and complicated concepts of computer programming, the Swift language, and app development. The information is supported by fully functional examples to guide beginners and experts through every single framework included in the iOS SDK. The examples are distributed throughout the book in a specific order to gradually introduce complex topics and make them accessible to everyone.

The goal of iOS Apps for Masterminds is to make you familiar with the most advanced technologies for app development. It was designed to prepare you for the future and was written for the genius inside you, for Masterminds.

This book includes:

  • Introduction to Computer Programming
  • Introduction to Swift 3
  • Swift Paradigm
  • Foundation Framework
  • UIKit Framework
  • Auto Layout
  • Trait Collections and Size Classes
  • Navigation Controllers
  • Scroll Views
  • Table Views
  • Collection Views
  • Split View Controller
  • Alert Views
  • iOS 10 Notifications
  • Files
  • Archiving
  • Core Data
  • iCloud
  • CloudKit
  • Core Graphics and Quartz 2D
  • Core Animation
  • AVFoundation
  • Camera and Photos Library
  • Web Views
  • Contacts
  • Sensors
  • MapKit
  • Gesture Recognizers
  • Timers
  • Operation Queues
  • Error Handling
  • Image and Video
  • Internationalization
  • ...and more!

  • Sales Rank: #334785 in Books
  • Published on: 2016-09-05
  • Original language: English
  • Dimensions: 10.00" h x 1.83" w x 7.00" l,
  • Binding: Paperback
  • 812 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
Great book. Clearly written and very useful for both ...
By J. Moon
Great book. Clearly written and very useful for both people new to IOS and Swift, as well as those with lots of experience. Highly recommend.

6 of 7 people found the following review helpful.
Excellent book. Highly recommended
By Amazon Customer
The introduction to Swift was a little bit long, but I guess it is intended for beginners. If you already know the basics you can ignore it. The rest is gold.

2 of 3 people found the following review helpful.
Clear and Easy way to learn Swift!
By David A. Pimentel Alzati
Very clear and easy to understand and replicate all the examples provided for each concept, it has reduced considerably my time to understand swift.

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  • Sales Rank: #12336096 in Books
  • Published on: 2010
  • Binding: Paperback

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Saturday, April 27, 2013

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Moving Data: The iPhone and the Future of MediaFrom Columbia University Press

The iPhone has revolutionized not only how people communicate but also how we consume and produce culture. Combining traditional and social media with mobile connectivity, smartphones have redefined and expanded the dimensions of everyday life, allowing individuals to personalize media as they move and process constant flows of data. Today, millions of consumers love and live by their iPhones, but what are the implications of its special technology on society, media, and culture?

Featuring an eclectic mix of original essays, Moving Data explores the iPhone as technological prototype, lifestyle gadget, and platform for media creativity. Media experts, cultural critics, and scholars consider the device's newness and usability―even its "lickability"―and its "biographical" story. The book illuminates patterns of consumption; the fate of solitude against smartphone ubiquity; the economy of the App Store and its perceived "crisis of choice"; and the distance between the accessibility of digital information and the protocols governing its use. Alternating between critical and conceptual analyses, essays link the design of participatory media to the iPhone's technological features and sharing routines, and they follow the extent to which the pleasures of gesture-based interfaces are redefining media use and sensory experience. They also consider how user-led innovations, collaborative mapping, and creative empowerment are understood and reconciled through changes in mobile surveillance, personal rights, and prescriptive social software. Presenting a range of perspectives and arguments, this book reorients the practice and study of media critique.

  • Sales Rank: #2054291 in Books
  • Published on: 2012-07-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .80" w x 6.00" l, 1.05 pounds
  • Binding: Paperback
  • 360 pages

Review

Like the iPhone itself, Moving Data is personal, mobile, and globally networked. Established and emerging scholars from media, information, and cultural studies track the transnational trajectory of the iPhone. These essays are accessible to a general reader even while keeping in mind the telling differences between contacts and critique, apps and analysis.

(Richard Grusin, director, Center for Twenty-First Century Studies, University of Wisconsin–Milwaukee)

The iPhone is the first landmark twenty-first-century invention. Not only the embodiment of a 'disruptive technology,' with its 'applications' reversing the semantics of hardware to software, it also confirms that we need mobility studies to succeed―if not to supersede―cultural studies. Moving Data nimbly signals these shifts and serves as a surefooted road map to new territory.

(Thomas Elsaesser, author of The Persistence of Hollywood)

The well-written essays in this wonderful little book range from insightful to downright fun...Highly recommended.

(Choice)

Readers interested in the impact of digital media will find in this collection a rich source of new ideas and perspectives.

(PsycCritiques)

Like the iPhone itself, Moving Data provides a panoply of options for the interested reader. Detailed without falling into homage, this volume should appeal to technology historians and cultural critics alike.

(Ingrid Erickson Mobile Media and Communication)

A rich and detailed picture of the impact of the iPhone on our society.

(Zvezdan Vukanovic International Journal of Digital TV)

Studies of the iPhone are rare... This makes Moving Data particularly welcome. Its contents are a revelation.

(New Media Society)

Review

The editors of this volume are well connected and savvy in their arrangement of critical entry points and scholarly voices. Like the YouTube Reader, this is an extremely useful and timely collection with a range of essays that do justice to the multifaceted possibilities bound together as the iPhone.

(William Uricchio, Massachusetts Institute of Technology Comparative Media Studies)

About the Author

Pelle Snickars is head of research at the National Library of Sweden and coeditor, with Patrick Vonderau, of The YouTube Reader. His work can be found at www.pellesnickars.se.

Patrick Vonderau is associate professor in the Department of Media Studies at Stockholm University and a cofounder and board member of NECS–European Network for Cinema and Media Studies (www.necs.org).

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Thursday, April 25, 2013

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Strategic Management: Creating Competitive Advantage, Seventh Edition, written by the well respected authors Dess/Lumpkin/Eisner/McNamara provide solid treatment of traditional topics in strategic management as well as thorough coverage of contemporary topics such intellectual assets, entrepreneurship, innovation, knowledge management, internet strategies, crowdsourcing, environmental sustainability. The accessible writing style and wealth of new and updated illustrations, which clarify the most difficult topics, make this title an excellent resource for your students.

  • Sales Rank: #4003651 in Books
  • Published on: 2014-03-01
  • Original language: English
  • Dimensions: 3.94" h x .28" w x 3.11" l, 2.15 pounds
  • Binding: Paperback
  • 522 pages

About the Author
Gregory G. Dess is the Andrew R. Cecil Endowed Chair in Management at the University of Texas at Dallas. His primary research interests are in strategic management, organization-environment relationships, and knowledge management. He has published numerous articles on these subjects in both academic and practitioneroriented journals. He also serves on the editorial boards of a wide range of practitioner-oriented and academic journals. In August 2000, he was inducted into the Academy of Management Journal 's Hall of Fame as one of its charter members. Professor Dess has conducted executive programs in the United States, Europe, Africa, Hong Kong, and Australia. During 1994 he was a Fulbright Scholar in Oporto, Portugal. In 2009, he received an honorary doctorate from the University of Bern (Switzerland). He received his PhD in Business Administration from the University of Washington(Seattle) and a BIE degree from Georgia Tech. Alan B. Eisner is Professor of Management and Department Chair, Management and Management Science Department, at the Lubin School of Business, Pace University. He received his PhD in management from the Stern School of Business, New York University. His primary research interests are in strategic management, technology management, organizational learning, and managerial decision making. He has published research articles and cases in journals such as Advances in Strategic Management, International Journal of Electronic Commerce, International Journal of Technology Management, American Business Review, Journal of Behavioral and Applied Management, and Journal of the International Academy for Case Studies. He is the former Associate Editor of the Case Association's peer reviewed journal, The CASE Journal. G. T. (Tom) Lumpkin is the Chris J. Witting Chair and Professor of Entrepreneurship at Syracuse University in New York. Prior to joining the faculty at Syracuse, Tom was the Kent Hance Regents Endowed Chair and Professor of Entrepreneurship at Texas Tech University. His research interests include entrepreneurial orientation, opportunity recognition, strategy-making processes, social entrepreneurship, and innovative forms of organizing work. He has published numerous research articles in journals such as Strategic Management Journal, Academy of Management Journal, Academy of Management Review, Journal of Business Venturing, and Entrepreneurship: Theory and Practice. He is a member of the editorial review boards of Strategic Entrepreneurship Journal, Entrepreneurship Theory & Practice, and the Journal of Business Venturing. He received his PhD in management from the University of Texas at Arlington and MBA from the University of Southern California. Gerry McNamara is a Professor of Management at Michigan State University. He received his PhD from the Carlson School of Management at the University of Minnesota. His research focuses on strategic decision making, organizational risk taking, and mergers and acquisitions. His research has been published in numerous journals, including the Academy of Management Journal, Strategic Management Journal, Organization Science, Organizational Behavior and Human Decision Processes, Journal of Management, and Journal of International Business Studies. His research on mergers and acquisitions has been abstracted in the New York Times, Bloomberg Businessweek, The Economist, and Financial Week. He is currently an Associate Editor for the Academy of Management Journal.

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Sunday, April 21, 2013

[B707.Ebook] Ebook Understanding Psychrometrics, Second Edition, by American Society of Heating Refrigerating and Air-Conditioning Engineers

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Understanding Psychrometrics, Second Edition, by American Society of Heating Refrigerating and Air-Conditioning Engineers

This book is a great refresher and reference for those who use psychrometrics on a recurring basis, such as air-conditioning designers; meteorologists; and agricultural, food process, and industrial process engineers. It also provides a complete psychrometrics learning module for students (estimated length: four-to-six hours) and contains the history of psychrometrics.

The second edition also has an appendix on the highly accurate psychrometric formulations of:
- Goff and Gratch (1945)
- Hyland and Wexler (1983)
- Nelson and Sauer (2001)

Also included: A supplemental, dualunits CD containing PDF files of psychrometric and humidity ratio charts and tables.

ASHRAE, founded in 1894, is an international organization of some 50,000 persons. ASHRAE fulfills its mission of advancing heating, ventilation, air conditioning, and refrigeration to serve humanity and promote a sustainable world through research, standards writing, publishing, and continuing education.

The ASHRAE Handbooks are the design standard for control of built environments with volumes on Systems and Equipment, HVAC Applications, Refrigeration and Fundamentals. Each is updated every four years. In addition to publishing design guidance for engineers, architects, and facility managers, we also publish a series of texts for classroom use.

Some of the areas we publish in include:
-Energy Modeling and Auditing
-High Performance Building Design
-Psychrometrics
-Indoor Air Quality and Environmental Quality
-Data Center Energy Efficiency
-Noise & Vibration Control
-Humidity Control
-HVAC for Healthcare Facilities

  • Sales Rank: #3309584 in Books
  • Published on: 2005-01-01
  • Original language: English
  • Dimensions: 9.00" h x 6.00" w x 1.25" l, 1.70 pounds
  • Binding: Hardcover
  • 385 pages

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Friday, April 5, 2013

[L510.Ebook] PDF Ebook Mes P'Tits Docs: Paris (English Version) (French Edition)From Editions Milan

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Mes p'tits docs - Paris is a wonderfully illustrated, simple hardback book that is an ideal early reference book for children able to read simple sentences in French. Wonderful, full-colour illustrations feature on every page, accompanied by short, informative text. In this topic, children can learn all about Paris, including: The different arrondissements, famous buildings, Le M�tro, La Tour Eiffel, La Seine, La Cath�drale Notre-Dame, museums and art galleries, and parks. This is a durable book with a hardback cover and film-like pages to resist tearing and scribbles. Perfect for school use!

  • Sales Rank: #4264276 in Books
  • Published on: 2011-12-05
  • Original language: French
  • Number of items: 1
  • Dimensions: 7.80" h x .28" w x 7.80" l,
  • Binding: Hardcover

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Tuesday, April 2, 2013

[G833.Ebook] Ebook Free The New Oxford Book of English Verse, 1250-1950 (Oxford Books of Verse)From Oxford University Press

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The New Oxford Book of English Verse, 1250-1950 (Oxford Books of Verse)From Oxford University Press

'The New Oxford Book of English Verse' is now firmly established as a classic anthology of English poetry. Chosen by the distinguished scholar and critic, Dame Helen Gardner, the book makes available in one volume the full range and variety of English non-dramatic verse.

  • Sales Rank: #863208 in Books
  • Published on: 1972-10-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.50" h x 2.06" w x 8.75" l, 2.57 pounds
  • Binding: Hardcover
  • 992 pages

Review
`If one had to say where can you find in fewer than 1,000 pages the best of English poetry, here it is. Daily Telegraph

`by far the most balanced and most wide-ranging [anthology] we have, offering superlative value to almost every taste' The Times

`Dame Helen has seen through this enormous task with affection, wit and wonderful thoroughness.' Times Literary Supplement

`Her knowledge of English poetry is both extensive and intensive; her critical standards are eminently worthy of respect...The reading public has every reason to be grateful to her.' Critical Quarterly

`The book remains a continuous and rewarding pleasure...It is a cause of wonder how easily poems of the recent past fit with those written centuries ago without jarring or disturbance.' New York Times

About the Author
Dame Helen Gardner was Emeritus Professor of English Literature at the University of Oxford, a distinguished scholar and author of books including The Metaphysical Poets, In Defence of the Imagination, and The Art of T. S. Eliot.

Most helpful customer reviews

64 of 65 people found the following review helpful.
Old "New" vs. New "Old"
By James A. Boa
The appearance of the 1999 Oxford Book of English Verse, edited by Christopher Ricks, makes us ask about the 1972 New Oxford Book of English Verse, edited by Helen Gardner. Since they are both anthologies of centuries of poetry, there is a lot of overlap. But there are a lot of differences too. In order to include modern poems (Gardner stops at 1950), Ricks has had to cut, and some of my favorite poems did not make the cut: Tennyson's "Crossing the Bar", Keats's Last Sonnet, and Yeats's "An Irish Airman Foresees his Death", to name just three.
With "Verses on the Death of Dr. Swift", both books excerpt, and just what is excerpted is instructive. I prefer Ricks here. And Ricks's preservation of spelling and punctuation is in my opinion a better choice, though he then goes and leaves out Coleridge's marginal notes in "The Rime of the Ancient Mariner."
So, if you care about poetry, you need both books. Where they are different, they are both valuable. Where they are the same, they are not quite the same, and a comparison proves instructive. Or at least it has so proved to me.

41 of 42 people found the following review helpful.
An old favorite, a good beginning
By A Customer
My nightstand is small, so only a few books can fit. The space is reserved for those trusted friends that I turn to late at night, or when I'm sick. Gardner's volume is among them.
This anthology covers 900 pages of verse from Great Brittain, in a variety of styles and subjects. As an introduction to the deep range of English poetry, it had very few peers, and the only rival in taste in selection (both what is included and excluded) is the 5-volume anthology Auden & Pearson did for the Viking/Penguin Portables. Buy it; read it, a little at a time or straight through; reread it. You won't be disappointed.

9 of 9 people found the following review helpful.
A good standard anthology
By Jon Corelis
Dame Helen Gardner in her introduction stated that The New Oxford Book of English Verse is "not a revision of Q's [Quiller-Couch's original Oxford anthology] but a new anthology," though she admits that "I have in many ways followed my predecessor's example." Both remarks are justified: G's vision of English poetry, though recognizably the same as Q's, is from a different historical and critical perspective. For instance, in this anthology there is more churchgoing at the expense of dallying in the greenwood: it is significant that though G's opening triad shares with Q's the "Cuckoo Song" and "The Irish Dancer," G has substituted for the exquisitely passionate "Alison" the exquisitely chaste "In Praise of Mary." Individual readers may welcome this or not, but one can only approve most of the revisions G has made. Consider Donne, who in Q's selection and contexting seems a metaphysical curiosity, a poet who developed an eccentric, albeit interesting, version of Elizabethan lyric. G's Donne is revealed as one of the most vibrantly alive human beings who ever lived. But it is after Keats, the section of Q's book which as G remarks with diplomatic mildness "had always given least satisfaction," where G has done what Q should have done in 1939. Most of the clunky Victorian poetic furniture has been hauled off to the Sally Ann (though G could not steel herself to throw out dear old "they told me, Heraclitus ...", and that great enforcer of yawns Matthew Arnold is still droning on about his carefree Oxford days), and the nervous splendors of twentieth century verse are intelligently grafted onto tradition according to a program which clearly and properly divides them into the build-up to "The Waste Land", "The Waste Land", and the aftermath of "The Waste Land."

One of the magical characteristics of great poetry is that it can alter the earlier poetry which influenced it. No one who grew up reading "The Waste Land" will be able to rid Spenser or Shakespeare or Webster of the overtones which Eliot drew from them, and nobody who knows or cares anything about poetry would want to try. The greatest achievement of G's edition is to give us modernism not only as an extension of tradition but as the climax of it, and the impact of "The Waste Land" in G's setting is the prime example of this: the song of Eliot's nightingale arising from the frightening darkness of the urban wilderness, however tragic, is also consoling, since we realize we have been hearing it forever.

And yet the advantages of G's critical perspective have ominous implications exactly because it is a critic's perspective. In G, Q's balancing act between the critic as summarizer of taste and as the prescriptor of it has shifted in favor of the latter. We can see this for instance in G's determination to open up the anthology to "satiric, political, epistolary, and didactic verse," a decision which however justifiable surely is not based on any growing popularity of those forms among the public between 1939 and 1972. It is based instead on the fact that the search of scholars for new topics to write about which do not already bear a crushing weight of commentary has resulted in those genres becoming recognized English department specializations. Since academic politics requires that no one in the department be left out, it is necessary that representatives of all these genres be included in the poetic canon, and anthologies are the primary means of communicating this judgment to the public. We may see G's edition as standing at a crossroads, or perhaps a better metaphor would be a hilltop, a critical vantage point from which a broader and more judicious survey may be made than previously, but which is also farther removed from the ordinary social world.

But despite these criticisms, I'd recommend this book as one of the handful of poetry anthologies which should find a place in every personal library, and as a good guide to the received canon of great poetry in English.

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